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“One of this country’s finest singer-songwriters.”

Montreal Gazette


Amelia Curran is a seeker…

Nearly a decade ago she left St. John’s for Halifax, but still pines for Newfoundland every single day. With a number of East Coast Music Award nominations and an extensive discography, including: War Brides (2006), Lullaby for Barflies (2002), Trip Down Little Road (2001), and Barricade (2000), Curran knew it was finally time to make a record at home.

Over the past two years she recorded with Don Ellis in various caverns in St. John’s, the city of legends, from the abandoned CBC building on Duckworth Street to an old farm house on the fringes of town. For Curran St. John’s captures the essence of her inner huntress.

A songwriter by trade, but a writer at heart, Curran believes language is everything. She describes the craft of song-writing as an act of “expressing the inexpressible, a means of describing the indescribable.”

“Bye, Bye Montreal” could pay homage to Leonard Cohen and the thriving arts scene of yesteryear, but that’s the beauty of Curran. She never explicitly says what her songs about. She just opens the door and allows room for various interpretations and relationships.

“All Hands On A Grain of Sand,” speaks to Curran’s ability to elevate the lyrical into the poetical. Her desire to reconcile the past and move into the future is a constant struggle. “Ah Me,” manifests biblical myths into self-reflexive epiphanies, while “The Mistress,” is part confession, part obsession. A narrative-driven internal contention of what it means to be the other woman.

“Mad World, Outlive Me,” mines for the truth and untouchable gems
held deep within the soul. With splashes of folk and cabaret aesthetics,
“The Company Store,” wades through a lost way of life.

“Julia,” turns the page on a bleeding heart, while “Tiny Glass Houses,”
shatters expectations and rebuilds the broken places within us all.
“The Dozens,” is a toe-tapping rendition of harnessing one’s inner lover.

Retribution arrives in both “Love’s Lost Regard,” and “Wrecking Ball,”
but it’s the album’s closer, “Last Call,” that leaves listeners thirsty
for another round.


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Hunter Hunter album cover


PRESS REQUESTS

Interviews and press requests, please email Heather Gibson



A Few Press Quotes


“You might imagine the folks at the record label shoving a contract at her halfway through hearing the first song.”
Eye Weekly

“Amelia Curran could very well be a poet, as her lyrical perception borders on unmasked vulnerability and contemplative wistfulness.”
Chart Magazine

“Amelia Curran is a singer from St. John’s whose voice has the sound of faith and experience.”
Essential Tracks, Globe and Mail

“Maybe you’ll get lucky and pick the right place on the right night. In my case it was the Rose and Thistle on Water Street Aug. 5. A performer – Amelia Curran – and her small band of superb musicians, held us all spellbound with their talent and their quiet, confident brilliance. I will never forget the image of a waitress standing, a case of empties in her arms, lost in the music.”
The Independent, St. John’s, NL


“Scattered and Small,” “You Won’t Find Me” and “All the Ladies” are just about the best trio of songs you’re going to hear.”
The Coast, Halifax, NS

“You may not have heard of her yet, but Amelia Curran is Newfoundland’s next great female songwriter and her latest album proves it. Amelia Curran’s latest CD, War Brides, is one of those intimate gems of an album that you have to discover for yourself. There isn’t a big publicity machine forcing it down your throat, and it’s an album you have to seek to find. One thing that is very clear upon listening to it is that you realize that Curran, a St. John’s native now based in Nova Scotia, creates music that is instantly satisfying, and in a world full of folk singers, Curran’s music is a cut above.”
The Newfoundland Herald, St. John’s, NL

“Curran is certainly skilled; over the past six years she’s released a string of CDs illustrating an enviable songwriting prowess, both for haunting melodies that immediately get stuck in the brain and insightful, incisive lyrics that always cut to the heart of the equation.”
The Chronicle Herald, Halifax, NS